Joanne Mattera- Artist Statement

Silk Road is the most succulent painting I’ve done. It is also the most reductive. In plying a richness of material against the austerity of the grid —I refer to my work as “lush minimalism”— I’m setting in motion a small-scale dynamic in which more and less fight for primacy but agree to détente. Each painting in this ongoing series is a small color field achieved by layers of translucent paint applied at right angles. When you’re up close, you see that the subtlest of grids is formed by the trail of brush marks and intentionally grainy elements within the paint. The title of this series was suggested by the iridescence and texture of woven silk, though each painting was executed entirely in pigmented wax.

Resume

Education

MA, Visual Arts, Goddard College, Plainfield, VT

B.F.A., Massachusetts College of Art, Boston

Exhibitions

Solo:

• 2011 Diamond Life, Marcia Wood Gallery, Atlanta
• 2010 Travel With Me, Arden Gallery, Boston
• 2008 Contemplating the Horizontal, Arden Gallery, Boston
• 2008 Hue Again, Schlosberg Gallery, Montserrat College of Art, Beverly, Massachusetts
• 2007 Silk Road, OK Harris Works of Art, New York City
• 2007 It’s All About Hue, Isn’t It?, Cervini Haas Gallery, Scottsdale
• 2006 Heat of the Moment: New Paintings in Encaustic, Arden Gallery, Boston
• 2006 Pure Color, Marcia Wood Gallery, Atlanta
• 2006 10 Years of Encaustic Painting, Winfisky Gallery, Salem State University, Salem, Massachusetts
• 2004 New Paintings in Encaustic, Arden Gallery, Boston
• 2004 New Paintings, Simon Gallery, Morristown, NJ
• 2004 New Paintings, Marcia Wood Gallery, Atlanta
• 2003 New Paintings in Encaustic, Arden Gallery, Boston
• 2003 Mudra, Cervini Haas Gallery, Scottsdale
• 2002 Uttar: New Paintings in Encaustic, Simon Gallery, Morristown
• 2001 New Encaustic Paintings, Cervini Haas Gallery, Scottsdale
• 2000 New Encaustic Paintings, Arden Gallery, Boston
• 2000 Verso: Thought, Breath, Memory, Espace Gallery, Manila, Philippines
• 1999 New Paintings, Marcia Wood Gallery, Atlanta
• 1996 Linear Perspectives, OK Harris Gallery, New York City
• 1995 New Paintings in Encaustic, Stephen Haller Gallery, New York City

Group:

• 2011 Silk, Conrad Wilde Gallery, Tucson
• 2011 Surface Attraction, Rice Polak, Provincetown, Mass.
• 2011 Summer Show, DM Contemporary, New York City
• 2011 Plane Speaking, McKenzie Fine Art, New York City
• 2011 Baby, It’s Cold Outside, Kenise Barnes Fine Art, Larchmont, NY
• 2010 Oasis Conrad Wilde Gallery, Tucson
• 2010 The Viewing Room Heidi Cho Gallery, New York City
• 2010 Geometry: Theme and Variations Gallery 128, New York City (Curator: Gloria Klein)
• 2010 Director’s Choice Kenise Barnes Fine Art. Larchmont, New York
• 2010 Pull: Print Portfolio Exhibition, Marcia Wood, Atlanta
• 2010 Aqua Art, Miami, with Conrad Wilde Gallery, Tucson
• 2010 Art Hamptons, with DM Contemporary, New York City
• 2009 12x12 Conrad Wilde Gallery, Tucson
• 2009 Slippery When Wet Metaphor Contemporary Art, Brooklyn
• 2009 Summer Guest House Marcia Wood Gallery, Altanta
• 2009 Stayin' Alive Metaphor Contemporary Art, Brooklyn
• 2009 Obsessions Adler & Co. Gallery, San Francisco
• 2009 Geometrics II Gallery 128, New York City (Curator: Gloria Klein)
• 2009 Castle Hill at the Provincetown Art Association and Museum, Hans Hoffman Gallery, Provincetown, Mass.
• 2009 Gallery Artists: Works on Paper June Fitzpatrick Gallery, Portland, Maine
• 2009 Love, Lust and Desire McGowan Fine Art, Concord, New Hampshire
• 2009 Bridge Art Fair, New York City Invited by DM Contemporary, Mill Neck, New York
• 2009 Los Angeles Art Show Invited by Adler & Co. Gallery, San Francisco
• 2008 Material Color Hunterdon Art Museum, Clinton, New Jersey (Curator: Mary Birmingham)
• 2008 No Chromophobia OK Harris, New York City (Curator: Richard Witter)
• 2008 Small Wonder Garson Baker Fine Art, New York City
• 2008 Relative Geometries Conrad Wilde Gallery, Tucson
• 2008 Gifts From the Studio Kenise Barnes Fine Art, Larchmont, New York
• 2008 This Just In Marcia Wood Gallery, Atlanta
• 2008 Calculated Color Higgins Gallery, Cape Cod Comm. College, Barnstable, Mass. (Curator: Jane Lincoln)
• 2008 A Breath of Fresh Air Kenise Barnes Fine Art, Larchmont
• 2008 Summer/Fall Group Show, Adler & Co., San Francisco
• 2008 Fourth Anniversary Exhibition DM Contemporary, Mill Neck, New York
• 2008 Art Now Fair, New York Invited by DM Contemporary, Mill Neck, New York
• 2008 Los Angeles Art Show Invited by Adler & Co. Gallery, San Francisco
• 2007 Punchbowl Metaphor Contemporary Art, Brooklyn, New York
• 2007 The Blogger Show Agni Gallery, New York City (Organizer: John Morris)
• 2007 Gigantic Small Works Show Rosenfeld Gallery, Philadelphia
• 2007 The Fusion Project June Fitzpatrick Gallery, Portland, Maine
• 2007 Encaustic Invitational Conrad Wilde Gallery, Tucson
• 2007 Red Dot Fair, New York Invited by Kenise Barnes Fine Art, Larchmont
• 2007 Art Now Fair, Miami Beach Invited by DM Contemporary, Mill Neck, New York
• 2007 Los Angeles Art Show Invited by Adler and Co. Gallery, San Francisco
• 2006 Neo Plastic Redux Elizabeth Harris Gallery, New York City (Organizer: Miles Manning)
• 2006 Gigantic Small Works Show Rosenfeld Gallery, Philadelphia
• 2006 Nancy Manter, Joanne Mattera, Babe Shapiro DM Contemporary, Mill Neck, New York
• 2006 A Thing of Beauty and A Joy Forever Kenise Barnes Fine Art, Larchmont
• 2006 Minimal Minimal Works Gallery, Philadelphia
• 2006 Luminous Depths Ben Shahn Galleries, Wm. Paterson Univ., Wayne, NJ (Curator: Nancy Einreinhofer)
• 2006 Order(ed) Siano Gallery, Philadelphia (Curator: Julie Karabenick with essay by Roberta Fallon)
• 2006 Flow Art Fair, Miami Beach Invited by Kenise Barnes Fine Art, Larchmont, New York
• 2006 Art (212) Contemporary Art Fair, New York Invited by Marcia Wood Gallery, Atlanta
• 2006 Los Angeles Art Show Invited by Cervini Haas Gallery, Scottsdale
• 2005 What Did Puck Say? Heidi Cho Gallery, New York City
• 2005 Engaging the Structural Broadway Gallery, New York City (Curator: Julie Karbenick, essay by Lilly Wei)
• 2005 Cooled and Collected: Modern Masters of Encaustic Boon Gallery, Salem, Massachusetts
• 2005 Color Theory Schweinfurth Art Center, Auburn, New York (Curator: Kenise Barnes)
• 2005 Wish You Were Here IV A.I.R. Gallery, New York City
• 2005 Wax: Encaustic Painting in Contemporary Art Brush Gallery, Lowell, Mass. (Curator: E. Linda Poras)
• 2005 Works On Paper Invitational Cervini Haas Gallery, Scottsdale
• 2005 Wax Works McGowan Fine Arts, Concord, New Hampshire
• 2005 AAF Contemporary Art Fair, New York Invited by Marcia Wood Gallery, Atlanta
• 2004 Color Theory Kenise Barnes Fine Art, Larchmont, New York
• 2004 Unbound: Selected Artists from ‘The Art of Encaustic Painting’ R&F Gallery, Kingston, New York (Curator: Laura Moriarty)
• 2004 Four New York Artists Patrick Olson Gallery, Plymouth, Michigan
• 2004 AAF Contemporary Art Fair, New York Invited by Marcia Wood Gallery, Atlanta
• 2003 Encaustic Now II Marcia Wood Gallery, Atlanta
• 2003 Serenity Cervini Haas Gallery, Scottsdale
• 2003 Tickled Pink Marcia Wood Gallery, Atlanta
• 2003 Wish You Were Here Too A.I.R. Gallery, New York City
• 2003 The Way of Wax Winfisky Gallery at Salem State College, Salem, Mass.
• 2003 Art Miami Invited by Arden Gallery, Boston
• 2003 Art Santa Fe Invited by Cervini Haas Gallery, Scottsdale
• 2003 AAF Contemporary Art Fair, New York Invited by Thatcher Projects, New York City
• 2002 Work on Paper Marcia Wood Gallery, Atlanta
• 2002 Lush Abstraction Melanee Cooper Gallery, Chicago
• 2002 Hot Wax Cummings Art Center at Connecticut College, New London
• 2002 Artcetera Boston Center for the Arts, Boston
• 2002 Works on Paper Cervini Haas Gallery, Scottsdale
• 2002 The Postcard Show A.I.R. Gallery, New York City
• 2002 Water Cervini Haas Gallery, Scottsdale
• 2002 Enkaustikos: Wax As a Contemporary Medium Pentimenti Gallery, Philadelphia
• 2002 Centering Sonoma Museum of Visual Art, Santa Rosa, California
• 2002 Generations III A.I.R. Gallery, New York City
• 2002 Art San Francisco Invited by Newzones Gallery, Calgary, Canada
• 2002 AAF Contemporary Art Fair, New York Invited by Thatcher Projects, New York City
• 2001 Encaustic Now Marcia Wood Gallery, Atlanta
• 2001 Encaustic Works Arden Gallery, Boston
• 2001 The Art of Encaustic Painting Cervini Haas Gallery, Scottsdale
• 2001 Encaustic, Encaustic: Joanne Mattera and Friends Melanee Cooper Gallery, Chicago
• 2001 Large-Scale Painting Cervini Haas Gallery, Scottsdale
  Deck the Walls Newzones Gallery, Calgary
• 2000 Constant Aesthetic Stephen Haller Gallery, New York City
• 2000 Generations II: A Survey of Women Artists at the Millennium A.I.R Gallery, New York City
• 2000 The Other Side and This Side: The Art of Italian and Italian-American Women Casa Italiana, New York
• 2000 Pieces IV Gallery 128, New York City (Curator: Sylvia Netzer)
• 1999 Aesthetic Boundaries Stephen Haller Gallery, New York City
• 1999 Waxing Poetic: Encaustic Art in America Montclair (N.J.)Art Museum (Curator: Gail Stavitsky) and Knoxville Museum of Art, Knoxville, Tenn.
• 1999 Signs, Codes and Surfaces I and II Stephen Haller Gallery, New York City
• 1999 Pieces III Gallery 128, New York City (Curator: Sylvia Netzer)
• 1999 Los Angeles National Patricia Correia Gallery, Santa Monica
• 1998 Contemporary Wax Stephen Haller Gallery, New York City
• 1998 Small Works Washington Square East Gallery, New York City
• 1998 Generations A.I.R. Gallery, New York City
• 1998 Ron Ehrlich,Gregory Johnston, Joanne Mattera, Hiro Yokose Marcia Wood Gallery, Atlanta
• 1997 Cultural Markers Stephen Haller Gallery, New York City
• 1997 1+1=3: Independent Artists, Collaborative Art Alicia Torres Gallery, New York City
• 1997 Material Girls: Gender, Process and Abstract Art Since
• 1970 Gallery 128, New York City (Curator: Harmony Hammond)
• 1997 Paper Project Sally Sprout Gallery, Houston
• 1997 Inaugural Show Christine Adapon Gallery, Manila
• 1996 Cultural Markers Stephen Haller Gallery, New York City
• 1996 Small Works International Amos Eno Gallery, New York City
• 1995 Small Works Stephen Haller Gallery, New York City
• 1995 Virtuosity Art Fair, The Armory, New York Invited by Stephen Haller Gallery, New York City
• 1994 Waxing Minimal: Joanne Mattera, Inger Sand Lee, Tom Sime Denise Bibro Fine Art, New York City
• 1994 Signs, Codes & Alphabets Tribeca 148, New York City
• 1994 Small Works Washington Square East Gallery, New York City
• 1994 The Midwinter Salon Puchong Gallery, New York City
• 1994 The Mundane Becomes Beautiful Cortland Jessup Gallery, Provincetown, Mass.
• 1993 93 Wishes for '94 Steinbaum Krauss Gallery, New York City
• 1993 Small Works East West Cultural Center, New York City
• 1993 Small Works Denise Bibro Fine Art, New York City
• 1993 Works on Paper Berkshire Museum, Pittsfield, Massachusetts (Curator: Andre Emmerich)
• 1982 Works on Paper Eve Mannes Gallery, Atlanta
• 1982 Artists on the Grid Svetlana Rockwell Gallery, Cambridge, Massachusetts
• 1982 Collage: Eleven Contemporary Artists Wheaton College, Norton, Mass. (Curator: Pallas Lombardi)
• 1981 Third Textile Biennial Savaria Museum, Szombatheley, Hungary
• 1980 Five Artists: Process and Product Art Colloquium Gallery, Salem, Massachusetts
• 1980 Artist/Artisan Bass Museum of Art, Miami Beach
• 1980 Paper Hera Gallery, Providence
• 1979 Paper: Metamorphoses Florence Duhl Gallery, New York City
• 1979 9th International Biennale de la Tapisserie Musee des Beaux Arts, Lausanne, Switzerland

Awards

• 2007 Ella Jackson Chair, Castle Hill Center for the Arts, Truro, MA
• 2005 Grant: Artist’s Resource Trust, a fund of the Berkshire Taconic Foundation
• 1997 Juror’s Award: Painting and Sculpture National, San Jacinto College, Houston; Howard Fox, juror
• 1995 Juror’s Award: Small Works, Washington Square East Gallery, New York City; Jacquie Littlejohn, juror

Selected Collections

• The Montclair Art Museum, Montclair, New Jersey
• Connecticut College Print Collection, New London
• University Libraries Collection, State University of New York at Albany
• Wheaton College Gallery, Norton, Massachusetts
• Alston & Bird, Atlanta and Washington, D.C.
• Beacon Properties, Boston
• Dana-Farber Institute, Boston
• Delta Airlines, Boston
• Evans Encaustics, Sonoma, California
• Mark Williams Design, Atlanta
• McKee Nelson, New York City
• Pacific Peninsula Group, Menlo Park, California
• PricewaterhouseCoopers, Florham Park, New Jersey
• R&F Paints, Kingston, New York
• Red Wheel/Weiser Books, Boston
• U.S. Embassies, Slovenia and Poland
• Consulate of Brunei
• Eduardo Calma Architecture, Makati City, Philippines
• Private collections: United States, Canada, Scandinavia, the Philippines

Academic Affiliations

• 2007—Current Founding Organizer and Director, International Encaustic Conference, Provincetown, Mass.
• 2007- 2010 Massachusetts College of Art, Boston; 2D Fine Arts Department, Visiting Lecturer

Curatorial Projects

• 2011 Textility, co-curator (with Mary Birmingham), Visual V Art Center of New Jersey, Summit
• 2011 Encaustic Works ’11, juror, to be published by R&F Paints, Kingston, New York
• 2011 Conversations, co-curator (with Laura Moriarty), Gallery at R&F, Kingston, New York
• 2010 Wax Libris II, curator, 4th International Encaustic Conference, Beverly, Mass.
• 2009 Wax Libris, curator, 3rd International Encaustic Conference, Beverly, Mass.
• 2009 Blogpix, curator, with Olympia Lambert and others, Platform Gallery, New York City
• 2007 Luxe, Calme et Volupte’, curator, Marcia Wood Gallery, Atlanta
• 2007 Thinking in Wax, juror, Castle Hill Center for the Arts, Truro, Mass.
• 2003 The Whole Ball of Wax, juror, Woman Made Gallery, Chicago
• 1993 Objects of Their Affection, curator, InterArt Center, New York City
• 1982 Artists on the Grid, curator, Svetlana Rockwell Gallery, Cambridge

Visiting Artist

• 2011 Visiting Artist, Connecticut College, New London
• 2011 Visiting Artist, Georgia State University, Atlanta
• 2009 Distinguished Visiting Lecturer, Marywood University, Scranton, Pennsylvania
• 2007 Visiting Artist, Montana State University, Bozeman
• 2004 Visiting Artist, Montserrat College of Art, Beverly, Massachusetts
• 2002 Weissman Visiting Artist, Connecticut College, New London
• 1999 Visiting Artist, State University of New York at Albany

Talks & Panels

• 2011 Panelist, Contemporary Encaustic, Art Students League, New York City
• 2009 Moderator, Art Bloggers @ Art Miami, panel discussion, Carving Our Niche in the Blogosphere
• 2009 Moderator, Blogpix, panel in conjunction with exhibition at Platform Gallery, New York City
• 2008 Moderator, Art Bloggers @ Red Dot, panel discussion during March art fair time in New York Cit
• 2008 Presenter, College Art Association, Dallas Finding a Place for Yourself in the Art World
• 2007 Co-organizer, Art Blogger Miami, an ad hoc gathering of art bloggers during Miami/Basel
• 2007 Guest Speaker, Montana State University, 35 Years of More or Less The Same Thing
• 2007 Keynote Speaker, National Encaustic Painting Conference, Montserrat College of Art, Beverly, Mass. Almost Mainstream After 2000 Years
• 2007 Panelist, June Fitzpatrick Gallery, Portland, Maine Contemporary Encaustic Painting
• 2005 Keynote Speaker, Art League of Northern California, Novato Building and Sustaining a Career in Art
• 2005 Guest Speaker, River Tree Center for the Arts, Kennebunk, Maine Encaustic Painting
• 2004 Guest Lecturer, City College of New York Encaustic Painting
• 2004 Guest Lecturer, R&F Gallery, Kingston, New York Encaustic Forum
• 2003 Gallery Talk, Marcia Wood Gallery, Atlanta Contemporary Encaustic Painting
• 2001 Panelist, Ellis Island, New York City Italian American Women Artists
• 2000 Speaker, Casa Italiana, New York University, New York City Material Influences
• 2000 Panelist, Artists Talk on Art, New York City Encaustic Painting
• 1999 Speaker, Painter’s Forum, New York City Encaustic Painting

Writing

• Current Joanne Mattera Art Blog, at www.joannemattera.blogspot.com
• 2011 “Affinities: Fiber and Wax,” Surface Design Journal, Winter issue
• 2007 “Luxe, Calme et Volupte: A Meditation on Visual Pleasure,” essay for my curated exhibition at the Marcia Wood Gallery, Atlanta. Text online at http://www.marciawoodgallery.com/luxe_calme/essay.html
• 2007 “Exquisite Dualities: The Recent Paintings of Alexandre Masino,” essay for the Montreal painter
• 2007 “Material Witness: Silken Surfaces in Wax,” essay of my work for Surface Design Journal, Fall issue
• 2006 “Encaustic: The ‘New’ Art Medium, Just 2000 Years Old,” essay for “Luminous Depths” catalog and eponymous exhibition, curated by Nancy Einreinhofer, Wm. Paterson University, Wayne, N.J.
• 2006 “Dancing Shards: Between Order and Intuition,” essay for New York painter Gloria Klein
• 2006 “Kevin Frank: The World in a Still Life,” essay for the New York painter
• 2005 “Give and Take,” essay for Seattle-based painter Betsy Eby
• 2005 “Tracing the Arc Between Fiber and Wax,” essay for Santa Cruz-based artist Daniella Woolf
• 2001 The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented Wax Watson-Guptill, New York
• 1981-83 Fiberarts, Editor in Chief

Books

• 2009 The Artists’ Guide: How To Make A Living Doing What You Love, DaCapo; Jackie Battenfield
• 2005 Abstract Painting, Watson Guptill; Vicky Perry
• 2003 In Our Own Voices: Multidisciplinary Perspectives on Italian and Italian American Women, Bordighera Press; Elizabeth G. Messina, ed.
• 2001 Spirit Maps, Red Wheel/Weiser; Joanna Arettam
• 2000 Lesbian Art in America, Rizzoli; Harmony Hammond
• 1999 Waxing Poetic: Encaustic Art in America; The Montclair Art Museum/Rutgers University Press; Gail Stavitsky, editor

Periodicals

• 2010 Art Critical, “Abstraction in a Cold Climate,” Franklin Einspruch, December
• 2010 Maine Sunday Telegram, “Refinement Multiplied,” Philip Isaacson, July 25
• 2010 Venetian Red, “Artists in Conversation: Joanne Mattera,” Liz Hager (online)
• 2010 Art in the Studio, “The Questionnaire,” Nancy Natale, October 4
• 2009 View List at Minus Space, "Bulletin Board: Inspiration Information,"conceived by Karen Schifano (online)
• 2009 Making the Art Seen, "Featured Painter: Joanne Mattera," interview by Sand T., July 2009 (online)
• 2009 Artist's Career Guide, "Reality Check: Interview with Joanne Mattera, Jackie Battenfield (online)
• 2009 Artscope, "Third Annual Conference of Encaustic Painting," Brian Goslow; May-June issue
• 2009 NYC Art, "GeoMetrics," Chris Rywalt; March 24 (online)
• 2008 Boston Globe, “Color Their World,” Cate McQuaid; December 17
• 2008 Berkshire Fine Arts, “Boston’s Newbury Street Galleries,” Shawn Hill; December 27 (online)
• 2008 More Magazine, “Art Beat,” Alesha Hardwick-Whyte
• 2008 The Boston Phoenix, “Waxing Poetic,” Randi Hopkins
• 2007 Provincetown Banner, “When Art Runs Hot and Cold,” Melora B. North; August 23
• 2007 Atlanta Journal Constitution, “Spirit of Baudelaire, Matisse Flows,” Debra Wolf; July 8
• 2007 The New York Sun, “Joanne Mattera: Silk Road at OK Harris,” Maureen Mullarkey
• 2007 Phoenix Home and Garden, “Color Blocks”
• 2007 Maine Sunday Telegram, “Fusion: A Portland Encaustic Event,” Philip Isaacson, February 18
• 2007 Maine Sunday Telegram, “Stacks of Wax,” feature, Bob Keyes
• 2006 Art New England, “Art Criticism on the Internet,” Raymond A. Liddell
• 2006 Boston Globe, “A Clever Pairing,” Cate McQuaid
• 2005 Lowell Sun, “Whole Ball of Wax,” Barbara Rizza Mellin
• 2005 Art News, “How to Talk to An Artist,” feature, Gail Gregg
• 2005 Syracuse Post-Standard, “Color This Exhibit…,” Katherine Rushworth
• 2005 NYArts, “On and Off the Grid: In Conversation with Joanne Mattera,” Julie Karabenick
• 2005 New York Times, “Unbound: Selected Artists,” D. Dominick Lombardi
• 2004 Boston Globe, “An Eyeful of Color,” Cate McQuaid
• 2004 Traditional Home, “A Fresh Shade of Bungalow,” Eliot Nusbaum
• 2004 Arts Media, “Artists Wax Enthusiastic,” Rachel Strutt
• 2003 Boston Sunday Globe, “Critics’ Picks,” Christine Temin
• 2003 Boston Globe, “Critics’ Picks,” Cate McQuaid
• 2003 Arts Media, “Joanne Mattera: Paintings in Encaustic,” Shawn Hill
• 2003 The Week, “Joanne Mattera at Arden Gallery, Boston”
• 2003 Scottsdale Republic, “Eclectic Mix at Cervini Haas,” Roberta Burnett
• 2003 IONS Review, Barbara McNeill, ed., portfolio; Issue 63
• 2002 IONS Review, Barbara McNeill, ed., portfolio; Issue 62
• 2002 Atlanta Journal-Constitution, “Expanding the Possibilities of Paper,” Jerry Cullum
• 2002 New York Times, “Hot Wax,” William Zimmer
• 2002 Philadelphia Inquirer, “Novel Process, Classical Elegance,” Edward J. Sozanski
• 2002 Philadelphia Weekly, “Play On,” Roberta Fallon
• 2002 Philadelphia Daily Local News, “Ancient Medium Explored Again,” R.B. Strauss
• 2002 Boston Sunday Globe, “The Process,” profile, Catherine Foster
• 2002 Art New England, “The Art of Encaustic Painting,” book review, Susan Schwalb
• 2001 Arizona Republic, “Beauty of Encaustic Has its Price,” feature, John Carlos Villani
• 2001 Atlanta Journal-Constitution, “Waxing Eloquent,” Catherine Fox
• 2000 Manila Today, “Art Guide”
• 2000 The Philippine Star, “Gallery News,”
• 2000 Art in America, “Joanne Mattera at Marcia Wood,” Jerry Cullum
• 2000 Design and Architecture, “An Italian Spell in Tagaytay,” feature, Alane Ty
  1999 Atlanta Journal-Constitution, “Mattera Infuses Modernist Grid with New Depth,” Jerry Cullum
• 1997 New York Arts, “Picks,” Christopher Chambers
• 1997 Atlanta Journal Constitution, “Four Artists Aimed at the Stars,” Jerry Cullum
• 1997 William and Mary Review, Erica Weitzman ed., Vol. 35
• 1994 Artforum, “Objects of Their Affection at Interart Center,” Keith Seward
• 1981 Earlier Art Voices, “Joanne Mattera,” Jessica Scarborough
• 1981 Driadi, “Du Blanc a la Couleur,” Michel Thomas
• 1981 Maenad, “Joanne Mattera,” portfolio
• 1981 Sojourner, “Risks Pay Off,” Jessica Scarborough
• 1981 American Craft, “Joanne Mattera,”

Catalogs and Essays

• 2008 Material Color, Hunterdon Art Museum, Clinton, N.J.; essay by Mary Birmingham, currator
• 2006 Joanne Mattera: Ten Years of Encaustic Painting, from the eponymous exhibition,
• 2006 Salem State College, Salem, Mass., March-April; essays by Flavia Rando and the artist
• 2006 Order(ed), for the eponymous group exhibition curated by Julie Karabenick at Gallery Siano, Philadelphia, May-June; essay, “Beauty, Order and Individuality,” by Roberta Fallon
• 2005 Geometry Reloaded, Lilly Wei; from the exhibition, “Engaging the Structural,” a group exhibition curated by Julie Karabenick, Broadway Gallery, New York, April
• 2002 Uttar: Poetics of Materiality and Process, Flavia Rando; from the exhibition, “New Paintings in Encaustic,” Simon Gallery, Morristown, N.J., September-October