Artist Carol Paxton Juliano

Carol Paxton Juliano – Artist Statement

Getting to know the wax is an ongoing process; a labor of love to gently coax it into position. Working to allow light to penetrate within the superposition of many layers; urging the space to play with semi-transparencies that flow across with fragmenting line. At times it’s physical to lift off the top skin of wax and reveal the subsurface. The process can feel surgical, splicing and grafting new skins after scraping the old. I enjoy juxtaposing smooth and wrinkled surfaces, employing properties of line, mere suggestion of line, or pentimento.

Resume

Exhibitions

Group:

2008 Translucent, Cain Schulte Contemporary Art, San Francisco, CA
2008 The Diptych Project, A Collaboration in Wax, Brain Marki Fine Art, Portland, Or,
2008 Whitney Art Works, Portland, Me, Montserrat College of Art, Beverly, MA
2007 CHRC-Silent Auction, California Pacific Medical Center, San Francisco, Ca
2007 Re-newal, Marin Museum of ContemporaryArt, Novato, Marin County, Ca
2007 Here and Now-Encaustics and Time, MM Galeries, San Francisco, Ca
2007 Edge of Abstraction, Artworks, San Rafael, Ca
2006 Wax Works, International Encaustic Artists, Mill Valley, Ca
2004 IVA Café, Indian Valley Artists, Novato, Ca
1967 Expo ‘67, Canadian Pavilion, Collaborative piece, Montreal, Canada

Publications

2008 “The Diptych Project: A Collaboration in Wax”, New England Wax and International Encaustic Artists, Nancy Natale, June 2008
2007 “Last Saturday Art Walk”, SOMA, South Beach Galleries, Here and Now, Encaustics and Time, MM Galleries
2007 “Sticky Situation”, Where Magazine
2007 “Novato Advance”, Marin MOCA Opens
2007 “Skylark Images”, Carol Paxton Juliano, MOCA

Professional Expreience

2005-08 Member of International Encaustic Artists
2003-04 Member of Indian Valley Artists/ Northern California Art League



	Carol Paxton Juliano – Artist Statement Getting to know the wax is an ongoing process; a labor of love to gently coax it into position. Working to allow light to penetrate within the superposition of many layers; urging the space to play with semi-transparencies that flow across with fragmenting line. At times it’s physical to lift off the top skin of wax and reveal the subsurface. The process can feel surgical, splicing and grafting new skins after scraping the old. I enjoy juxtaposing smooth and wrinkled surfaces, employing properties of line, mere suggestion of line, or pentimento. Resume Exhibitions Group: 2008 Translucent, Cain Schulte Contemporary Art, San Francisco, CA 2008 The Diptych Project, A Collaboration in Wax, Brain Marki Fine Art, Portland, Or, 2008 Whitney Art Works, Portland, Me, Montserrat College of Art, Beverly, MA 2007 CHRC-Silent Auction, California Pacific Medical Center, San Francisco, Ca 2007 Re-newal, Marin Museum of ContemporaryArt, Novato, Marin County, Ca 2007 Here and Now-Encaustics and Time, MM Galeries, San Francisco, Ca 2007 Edge of Abstraction, Artworks, San Rafael, Ca 2006 Wax Works, International Encaustic Artists, Mill Valley, Ca 2004 IVA Café, Indian Valley Artists, Novato, Ca 1967 Expo ‘67, Canadian Pavilion, Collaborative piece, Montreal, Canada Publications 2008 “The Diptych Project: A Collaboration in Wax”, New England Wax and International Encaustic Artists, Nancy Natale, June 2008 2007 “Last Saturday Art Walk”, SOMA, South Beach Galleries, Here and Now, Encaustics and Time, MM Galleries 2007 “Sticky Situation”, Where Magazine 2007 “Novato Advance”, Marin MOCA Opens 2007 “Skylark Images”, Carol Paxton Juliano, MOCA Professional Expreience 2005-08 Member of International Encaustic Artists 2003-04 Member of Indian Valley Artists/ Northern California Art League





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